Art can be interpreted in different ways, but sometimes it’s clear what the artist wanted to express: aliens and UFOs.
Other people’s statues on the island of Nuku-Khiva
The stone stands the test of time. Because of this, we have a unique opportunity to see the eyes of the ancients, and in the case of the sculptures of Nuku-Khiva, we can also peer into the large, almond-shaped eyes of what can easily be described as a race of aliens.
Nuku-Khiva is the largest island in the Marquise archipelago in French Polynesia. European researchers reached the archipelago at the end of the 16th century, but by that time the islands had been inhabited for about 2000 years by local Polynesians. This culture left behind a multitude of intriguing works of art depicting beings with bulging heads, big eyes; Their appearance is terrifyingly reminiscent of the usual alien form for the Gray.
Some sculptures, apparently, are hybrid creatures, demonstrating a mixture of human and alien characteristics. There are ufologists who claim that two alien races are engraved in Nuku-Khiva: reptiles and gray.
Can these ancient works of art be evidence of extraterrestrial interference? Did ancient aliens apply to indigenous peoples, working on them in such a way that people were forced to carve their masks in stone?
Be that as it may, one more thing is needed: in the South-Marques dialect the island was called Te Fenua Enata, which means “Land of people”. Maybe, unlike the aliens?
Magnificent spaceships Anunnaki
Myths and legendary stories from around the world offer a lot of clues about the presence in the antiquity of an extremely advanced alien race, their influence is still prevalent today.
In all likelihood, these creatures helped build massive monuments that have been preserved for thousands of years, and many are still waiting to be discovered.
Known by different names and considered gods, these creatures once crossed the sky of the Earth in spaceships immortalized in various works of ancient art. The flight was not just a dream in antiquity, it was a reality, as evidenced by sculptures and engravings of rockets, vimans, space ships, landing sites. The Sanskrit epic Mahabharata describes the rich details of the great battles that took place in the sky. The maya of the ruler of Pakals has a bas-relief depicting the king in a sitting position, controlling what looks like a flying car.
Is it reasonable to see these artifacts only in a symbolic light? Do they not give an idea of the reality of ancient flight? What will we win if we ignore the obvious?
Map of ancient stars on Mount Satan, Indonesia
In 1992, a geologist studying a cave in the Indonesian diabolical hills made a remarkable discovery. On top of a strange pile of rocks, C.A. Castillo saw a mysterious stone, similar to the fact that he was carved by a man’s hand.
On the surface of the mysterious stone, Castillo noticed a number of models that have yet to be explained. Engraving, apparently, shows the stars, the sun, human-like fingers and arrows pointing in several directions. UFOlogists quickly noticed that the symbols are very similar to one of our modern star charts – a gold disc on the Pioneer space probe. Can this ancient rock serve a similar purpose? This is a map, and if so, what does it lead to?
If the marking shows a star system, this is not ours; This stone shows seven planets and the sun, located differently than the solar system in which we live.
Even stranger is the fact that when placed near electrical equipment, the stone begins to exhibit strange magnetic properties.
This mysterious artifact raises more questions than answers. Who were its creators? Did they have astronomical knowledge, and if so, where did they get it? We may never find the answers to these questions, so we will be left with only assumptions.
Manor lizards – is the name given to the collection of 7000-year-old figurines found in Mesopotamia, a region widely considered the cradle of civilization. All these sculptures show a supernatural resemblance to modern images of reptilian humanoids.
Most of these artifacts were discovered in an archaeological site called Tell AlUbaid, a small settlement in modern Iraq. This ancient community precedes the neighboring Sumerian stronghold of Ur for more than 1000 years.
The ancient culture of Ubaid remains a mystery to this day. No one knows where they came from, what they looked like, or where they had the idea to create ideas about reptilian creatures.
Strange figures show both males and females in different poses, starting from the mother of breastfeeding to worthy characters, restraining pants and exuding the spirit of domination. This variety of ideas led to the conclusion that archaeologists with an open heart came to the conclusion that statues do not show intangible gods, but rather carnivorous creatures that share the same space with humanoid Ubaids.
Their reptilian characteristics are obvious and include elongated heads, snake eyes, scales and lizard muzzles.
Are these statuettes a proof of reptilian hybrid and human cohabitation on the ground where civilization arose?
RELEVANT: REPTILAN STATUS AT KHOROISKAYA TEMPLE NARA, JAPAN
Figurines from Vinca from Serbia
Figures left by the culture of Serbia Vinci, for a long time were mysterious archaeologists. The scientific world is divided, and explanations are different, but the mind thinks about what the eye sees: these sculptures seem to represent the race of extraterrestrial visitors.
The peculiar shape of the head and nonhuman eyes resemble a gray archetype, with a small amount of an insectoid fused into it.
More than 7000 years, these figurines were found in many parts of South-Eastern Europe, which indicates the non-locality of these alien visitors.
Alien Hybrid Heads from Papua New Guinea
In the 1960s, two brave adventurers, husband and wife were able to meet the mysterious Pygmy tribe in the jungle of Papua New Guinea. In a sign of mutual respect, both sides exchanged gifts. The tribal elders gave a pair of two unexplained artifacts that they should not have been at their disposal.
Intriguing relics speak for themselves: a bust with an extended head, large otherworldly eyes and a clearly alien species. Another relic was a bird or even an aircraft.
These ancient artifacts, of course, are a thing of the past and cause a number of legitimate questions. How did the natives get to know about the features that are not found anywhere in their population? Where did they get the technology to form, cut and smooth extremely hard rock?
The elders claimed that these stone representations were part of their tribe for countless generations, their origin was lost among the incomprehensible depths of time.
Do they show travelers from another dimension? On another occasion? Or are they just a product of the human imagination? But without reference, how could a tribe couple a pair of stone idols? You never know the answer.
Three-blade Sabu disk
On the first floor of the Cairo Museum is a mysterious play, the functions of which archaeologists have not yet discovered. A round plate with three sections curved towards the center, this oopart was discovered in the tomb of Sabu, the son of Pharaoh Anedjib.
Dated for more than 5000 years, this relic can be regarded as evidence of the advanced technologies used in ancient Egypt. Its function is unknown, and in an attempt to remove this riddle, the researchers simply called the object a decorative plate. But it is clear that the Sabu disk is the result of a complex technological process, so its function was to be very specific. Does not it look like a propeller?
Created from a very hard stone, which was used to make delicate objects, the disc is incredibly thin even by today’s standards. Strong and light is a symbol of faith in modern aeronautics, therefore it makes sense to apply the same principles 5 millennia ago.
Combined with the idea that the ancient Egyptians produced and used electricity, this mechanism may suggest that we were not the first civilization to reach a somewhat advanced technological level.
Ignored by the dominant science, these incongruous relics contain the potential to awaken humanity to an alternative scenario in which life is cyclical and in most cases there is nothing new under the sun. And who knows how many other artifacts are hidden or waiting for discovery.